Foundation plan, floor plans, elevations, sketches Roc's Comments: Rick and Linda Savage asked me to design a new home for them on land near the Brown Mountain Gatehouse. They had a traditional "colonial cape " style "big house/little house/back house/barn" form and we made it work with their 20th century program. Very nice people and it was an honor to work with them.
Description: Foundation plan, floor plans, elevations, sketches Roc's Comments: Rick and Linda Savage asked me to design a new home for them on land near the Brown Mountain Gatehouse. They had a traditional "colonial cape " style "big house/little house/back house/barn" form and we made it work with their 20th century program. Very nice people and it was an honor to work with them.
Floor plans, sections, elevation Roc's Comments: This was my first job. It was for Neva Goodwin who has remained a good friend ever since. The work began back in the 70's and was first a kitchen renovation with bay window addition. Bob Patterson who suggested me to Neva was cajoled into designing the beautiful garden in front. Neva and I worked well together and she truly enjoyed the new space when it was completed. Edgar Walls did the construction and Barb Sassaman helped with the drawings. We went on to do about 5 or six additional tasks for Neva there including moving and renovating the Jordan house across the road.
Description: Floor plans, sections, elevation Roc's Comments: This was my first job. It was for Neva Goodwin who has remained a good friend ever since. The work began back in the 70's and was first a kitchen renovation with bay window addition. Bob Patterson who suggested me to Neva was cajoled into designing the beautiful garden in front. Neva and I worked well together and she truly enjoyed the new space when it was completed. Edgar Walls did the construction and Barb Sassaman helped with the drawings. We went on to do about 5 or six additional tasks for Neva there including moving and renovating the Jordan house across the road. [show more]
Invitation to bid, general notes and requirements, site plan, floor plans, elevations, sections, foundation and framing plans, schedules, electrical, and fixtures Roc's Comments: Charlie Dickey asked me to design this little "camp" guest house for his growing family. The smallest building I have ever done for a client. Did the drawings myself one weekend. Never built.
Description: Invitation to bid, general notes and requirements, site plan, floor plans, elevations, sections, foundation and framing plans, schedules, electrical, and fixtures Roc's Comments: Charlie Dickey asked me to design this little "camp" guest house for his growing family. The smallest building I have ever done for a client. Did the drawings myself one weekend. Never built.
Sketches, site plan, foundation plan, floor plans, elevations, details, schedules, electrical, mechanical, framing plans, plumbing, fireplace details, museum display cabinet plans Roc's Comments: Wendell told us he wanted the museum to have his workshop in the hopes it would inspire others to carve. After he died his son chose to auction the items in his shop off to the highest bidder. The audience knew of Wendells wishes and no one bid except the curator of the Museum who acquired all of the items for a reasonable price. I was then asked to design a room to display his shop and a workspace for carvers and a small auditorium. We had not realized how popular the place would become and needed space for expansion. I did this work from my home studio in Philadelphia and John DeFazio a fellow employee at Venturi, Scott Brown helped with the drawings.
Roc Caivano, Harris Hyman
1980
65 sheets
8 diazo, 30 mylars, 20 paper vellum, 7 tracing papers
8 diazo, 30 mylars, 20 paper vellum, 7 tracing papers
Condition:
good
Description: Sketches, site plan, foundation plan, floor plans, elevations, details, schedules, electrical, mechanical, framing plans, plumbing, fireplace details, museum display cabinet plans Roc's Comments: Wendell told us he wanted the museum to have his workshop in the hopes it would inspire others to carve. After he died his son chose to auction the items in his shop off to the highest bidder. The audience knew of Wendells wishes and no one bid except the curator of the Museum who acquired all of the items for a reasonable price. I was then asked to design a room to display his shop and a workspace for carvers and a small auditorium. We had not realized how popular the place would become and needed space for expansion. I did this work from my home studio in Philadelphia and John DeFazio a fellow employee at Venturi, Scott Brown helped with the drawings. [show more]